Gate 9 UNSW

Architecture Education Randwick, New South Wales, Australia

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1. 01

The new Clancy foyer provides a memorable back drop for graduations, ceremonies and the day-to-day comings and goings of students in addition to a new front door to the Upper Campus.

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2. 02

View from the north west. The triangular form of the expanded main Northern foyer is a simple response to the existing building’s dramatic geometry.

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3. 03

View of new northern Foyer copper clad entry hood from the east.

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4. 04

Suspended canopy and copper shingle detail

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5. 05

Hood detail showing the pre-oxidised external copper cladding and internal "gold" copper shingles (an alloy of copper, aluminium and zinc)

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6. 06

The foyer is dramatically transformed at night with the uplighting of the gold copper shingles, creating a memorable gateway to the campus and sense of ceremony.

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7. 07

View from the Michael Birt Gardens looking towards the eastern foyer

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8. 08

North foyer entry with new 10m high frameless structurally glazed facade and civic scaled "Hood", skinned with golden copper shingles.

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9. 09

North foyer entry looking towards the auditorium and bar. The golden shimmer of the copper shingles (an alloy of copper, aluminium and zinc) lining the Hood is balanced by a deep royal blue carpet.

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10. 10

The original northern entry foyer looking west with the restored off form concrete soffit.

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11. 11

North foyer looking towards the bar and the artist Mona Hessing's Tapestry "Banner" commissioned for the original building. Across its length the Tapestry graduates in colour from golden hues through to cooler blues and purples providing the basis for colour selection within the space.

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12. 12

Material Detail - restored off form concrete; "gold" copper shingles (an alloy of copper, aluminium and zinc) and artist Mona Hessing's "Banner" Tapestry

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13. 13

North Foyer looking towards the smaller scaled eastern foyer and new recessive box office "pod" element under the existing stairs.

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14. 15

View towards the Bar from the more intimately scaled eastern foyer.

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15. 14

Stairs in North Foyer

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16. 16

Eastern Foyer

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17. 17

The more intimately scaled east and west foyers are expanded with smaller scaled frameless glazed hooded elements.

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18. 18

Sir John Clancy Auditorium

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21. 21

North Elevation

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Section through eastern and western foyers

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Description

lahznimmo architects with ASPECT Studios through a shortlisted competition process were awarded the Redevelopment of the Gate Nine Arrival Precinct on the University of New South Wales, Kensington Campus. The Expansion and Refurbishment of the Sir John Clancy Auditorium Foyer by lahznimmo architects represents Stage One of this scope of work. lahznimmo acknowledge the traditional owners of the land, the Bedegal people, on which the building lies and pay our respects to Elders, past present and emerging.

Key urban objectives were to create a new front door for the UNSW Upper Kensington Campus as well as provide an interface with the light rail.

The Sir John Clancy Auditorium is the UNSW ‘Home of Ceremony’ and Graduation. With a 945-seat capacity, it is also Eastern Sydney’s largest public auditorium and venue for university and public conferences; student lectures; musical performances and school events, making it not only a significant social and cultural focus for the Campus but also for the broader community. A key project objective was expanding the capacity of the undersized Foyer and maximizing its functionality in addition to providing external weather protection.

The existing building was designed in the 1970’s by Fowell Mansfield Jarvis and MacLurcan Architects as a building in the round with a strong sculptural form representative of its brutalist era. Over time a series of renovations and external awning structures had left the architecture of the building both externally and internally compromised. The building’s original board marked beton brut concrete had also been concealed with paint, paneling and ceilings.

The starting point for the design was to strip away the existing awnings and reinstate Clancy as a building in the round as well as restoring and celebrating its brutalist expression and concrete finish.

The main Northern Foyer wraps around the auditorium to link with smaller Eastern and Western foyers. The triangular form of the expanded main Northern foyer is a simple response to the existing building’s dramatic geometry, framing the front face of the building with a civic scaled hood skinned with golden copper shingles. Encased within the hood is a 10 m high frameless structurally glazed façade. Suspended from the hood is a delicate steel and glass canopy creating a fringe at the threshold for weather protection and spill over from the foyer. The dramatic 10m high entry space leads into a lower yet still impressive original 5m high foyer space and finally to a compressed 2.4m high circulation area around the bar and eastern and western foyers.

The more intimately scaled East and West foyers are also expanded with a smaller scaled frameless glass and hooded elements. The materiality seeks to complete the existing restrained palette of concrete, glass and weathered copper.

A significant civic scaled tapestry named “Banner” by the artist Mona Hessing was commissioned in 1971 for the original building and designed specifically to span 20m across the northern foyer creating a memorable entry experience and character of the foyer. Across its length the Tapestry graduates in colour from golden hues through to cooler blues and purples providing the basis for colour selection within the space.

The golden shimmer of the copper shingles (an alloy of copper, aluminium and zinc) lining the Hood is balanced by a deep royal blue carpet.

The rawness of the concrete juxtaposed with the golden shingles and plush blue carpet are complemented with a third material being a colour anodised aluminium panel, which is used to clad recessive “pod” elements tucked under the stairs, housing services and a box office in addition to panels behind a new bar. On axis with the entry the anodised panels behind the bar are an autumnal orange whilst the pod elements are blue merging with the carpet.

The new 10m long bar is gently curved in line with the curved wall to the rear of the auditorium. The form is simple, yet sculptural and has a neutral grey finish sits harmoniously with the surrounding concrete.

The resulting building provides both a memorable back drop for graduations, ceremonies and the day-to-day comings and goings of students in addition to a new front door to the Upper Campus.

Details

Completion date 2020

Project team

Lahznimmo Architects Architecture
ASPECT Studios Landscape Architecture
Taylor Thompson Whitting Structure and Facade Engineering
Norman Disney and Young Services Engineers
Electrolight Specialist Lighting