Feng Shui House

Architecture Residential Melbourne, Victoria, Australia

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1. Study Upstairs

The raked timber ceiling provides a sense of shelter while still having an outlook over the rooftops of Clifton Hill

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2. Stairwell and seat

A sculptural stairwell is the centre of the new living space

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3. Hallway

The new timber wall at the end of the hall connects old with the new

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4. Entrance passage

Vistas expand a small space, allow for interaction and create anticipation.

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5. Glimpse of the kitchen

The passage narrows before you enter the kitchen. A shelf at the entrance allows for displaying objects and personal memorabilia

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6. Kitchen dining space

The southern courtyard balances natural light internally. A mirror kitchen splashback gives the illusion of more space

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7. Dining room

The dining space is the centre of the room and purposefully busy to encourage interaction.

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8. Living dining room

Different uses are expressed through different materials in one space. The timber ceiling marks the lounge room but connects to the dining space. Little platforms invite to sit or place objects on.

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9. Dining table and brick wall

Northern light is drawn into the dining space and highlights the brick wall. The air conditioner is installed behind a timber cupboard and can be closed off when not in use.

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10. Lounge

A platform on the northern window allows to sit in the sun. The large heating panel coveys warmth and comfort even when not in use.

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11. Bathroom

Formal language, materials and colours complement the overarching concept of fluidity, balance and ease

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12. Bathtub

Soft forms, colours and light give a sense of calm

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13. Bathroom

The bathroom is compact but simple material combination, good natural light and large mirrors make this small space feel comfortable

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14. Stair entry

The timber wall continues into the stairwell leading the visitor to the first floor

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15. Sculptural stair

The stair is a strong sculptural element, playing with scale, giving a sense of opulence that was easy to achieve with form, materials, colour and play with light. A pink wall reveals itself only gradually

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16. Stair

The stair opens up gradually, giving a sense of discovery

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17. Storage

Storage is incorporated wherever possible

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18. Stairwell

A feature wall used to determine the quality of light. The stairwell balances enclosure and openness to provide internal vistas.

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19. Stairwell

North facing clerestory windows allow rays of sunlight onto the feature wall

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20. Outdoor dining

The timber ceiling continues to outside providing a covered outdoor space. Length, height and angle of the canopy allow winter sun to come in and cut out summer sun.

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21. Back view

Located on a narrow block, the building form was developed to limit overshadowing and maintain good sunlight access. Window location and wall enclosures provide framed views and privacy simultaneously.

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22. Ground Floor Plan

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23. First Floor Plan

The upstairs is simple but formed to balance room size with building bulk and access to natural light.

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24. Longitudinal Section

The stair is the centre piece of the house and formed to expand the living space vertically rather the horizontally.

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Description

Intro

The practice of Feng Shui finds its origins in China, going back about 6,000 years. It literally translates to “wind and water” and is a concept aiming to design and plan buildings and their surroundings for harmony and happiness.
Feng Shui calls on you to organise objects to allow for the flow of what is referred to as natural energy seen as moving through a space and all living things. In this context it is understood that a building’s layout, colours and materials affect the flow of energy.
Feng Sui design applies three core principles: allow energy to flow, balance between natural elements with their own sets of attributes including colour, texture and shape, and place objects that represent your life’s journey within a space.
To a Westerner only vaguely familiar with some of the specific theories and ideas, there is a surprising correlation between Feng Shui and what we would call “good design”: sun light access, air and ventilation, balance of natural light, equal relationship between inside and out, comfort and privacy, balance of materials, a well organised environment.

Plan and images of this home make the brief self-explanatory, so let’s talk about our design decisions, a series of small and considered moves based on the study of Feng-Shui principles.

Gradual Revelation

The old terrace was restored, a new curved timber wall at the end of the hallway works as both a link between old and new and a barrier to the street.
The extension is separated with a courtyard for sunlight into the old, and natural light and ventilation into the new house. The hall linking terrace with extension was widened for a study with outdoor access. The curved timber wall, enclosing a store, leads into the kitchen planned to greet visitors at arrival and overlooking courtyard and study.
Behind the store a stair void appears. The back is coloured reflecting light into the space below. Colour and materials only reveal themselves gradually, a design move often applied by Mexican architect Louis Barragan and one of my favourites.
Between stair and kitchen, we placed the dining room, a busy, engaging and open space, designed to encourage conversation.
The timber floor of the dining continues into the ceiling of the adjacent lounge, a retreat with a sense of calmness looking back into house, courtyard and out into the garden.
The upstairs rooms, more exposed to sun, wind and rain are formed and finished to achieve a balance between shelter from elements and exploring views into the distance.

Premeditated Coincidence

The best form of interaction is the coincidental and the skill lies in planning the coincidence. Some layout and design decisions were made for this purpose evident in the brick platforms for seats facing dining space or lounge to allow for interaction.

Subtle Contradictions

For an economic house on a narrow block a compact footprint seems logical. However, logical is not always best.
The lounge room walls were skewed and stretched, drawing sunlight and garden into the dining room. The stairwell itself forms a large void prioritising space over utilities. It appears oversized. However, the benefits are obvious: elevated beyond providing access, the stair creates a light filled and generous living space on a small footprint.

Build less, accomplish more

Like any building project, the Feng Shui house aims to balance user needs with cost, both financial and environmental.
To build climate conscious requires building less, and in order to be accepted we need to build better qualities with lesser means. We trust this has been achieved by applying principles of balance, meticulous planning and playing with space and scale.

Details

Project size 134 m2
Site size 202 m2
Project Budget USD 596,000
Completion date 2020
Building levels 2

Project team

Steffen Welsch Project Leader
Steffen Welsch Architects Architects
Strutcom Consulting Engineers Engineers