Doorzien House

Architecture Residential Sydney, New South Wales, Australia

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1. Rear elevation

Lower ground floor TV room flowing out to sitting steps, deck and rear garden

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2. Front entry verandah and hall

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3. Stair, hall and kitchen

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4. Main bedroom and hall

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5. Main bedroom and hall

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6. Open plan living room and kitchen

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7. Stair and double height bookshelf

View out to harbour with direct access to deck

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8. Open plan living space and kitchen

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9. Dining and living room windows

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11. Dining and living room windows

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12. Open plan living and stair

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13. Stair, bookcase and deck acces

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14. Rear elevation

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16. Kitchen and hallway

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17. Kichen and Hall towards front entry door

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18. Open plan living space and kitchen

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19. Kitchen

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20. Kitchen

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21. Open plan living space

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22. Stair and study

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23. Glass floors above lower ground floor hallway

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24. Cellar

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25. Front entry

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26. Hallway

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27. Open plan living space

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28. Walk in Robe joinery detail

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29. Ensuite

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30. Guest WC

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31. Bathroom

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34. Hallway - night shot

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35. Section A-A

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36. Section A-A detail

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37. Elevation and Section C-C Ground Floor Plan

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38. Roof Plan

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39. Ground Floor Plan

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40. Lower Ground Floor Plan

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41. Design Strategy Diagram

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Description

The Doorzien House modestly proffers a new precedent in a challenging conservation environment by breaking rank and dismantling the cottage typology. Tensions between private freedom and prescriptive planning are coupled with exploring the interplay of view and viewing, solid and void, through a multi-layered, sensory design response.

Questions and Answers

What was the brief?

Our clients’ brief appeared contradictory and unachievable: to create a home where “in crossing the threshold, the past was to be left behind”, and where interconnected yet separate living spaces should be experienced simultaneously.

To address these conundrums, we pursued a Janus-like composition, moving the house from traditional façade-driven framework to a contemporary rear form that asserts a new typology, pushing the conservation dialogue in unexpected ways.

Investigating the tension between “interconnected yet separate”, we explored a view/viewing framework that leverages the site’s narrowness, steepness and views. Opening up vertical and horizontal flow – Doorzien is Dutch for see-through – the material language evolved as solid and void to create dynamism and visual richness.

Glass elements – skylights, glass flooring, highlight panels and balustrading – conduct light and views. See-through corners erase expected barriers; turning any corner offers a different perspective, ever-changing under soft natural light. At the lowest floor level, the skylights and ridgeline twelve metres above are clearly visible, creating a dramatic sense of space.

Solid elements articulate the expressed texture of original brickwork, the smooth white expanse of walls, the rhythm of steel cross beams, and the dark, brooding joinery peninsula that delineates kitchen and living spaces from sleeping quarters.

What were the solutions?

To embrace our clients’ desired openness and connectivity between the floor levels and surrounding context, we dismantled the existing plan. The broad Sydney Harbour view and neighbouring vistas are exploited by the hybridised living spaces, while each room retains its individual focus and remains intimate and warm through the material palette and layered lighting.

We oriented living spaces to the rear; multiple interior viewlines serve as a counterpoint to the expansive harbour views. This approach continues to the rear garden, with bleacher-style steps moderating the level change, extending the study and sitting room interiors to form a third living space.

What were the key challenges?

In Kirribilli’s conservation area, Doorzien is surrounded by Victorian terraces and manors, with Kirribilli and Admiralty House nearby. On a steep sandstone ridge, the dwelling overlooks Careening Cove, Neutral Harbour and Kurraba Point, and vice versa. Council required both “facades” to align with heritage expectations.

To elevate Doorzien’s streetscape presentation, we retained its heritage “skin”, removing unsympathetic prior alterations and applying restorative touches through material, colour, and landscaping.

The eclectic rear “streetscape” offered us an opportunity to forge a new heritage narrative. Our response was the zinc-clad rear addition, a significant formal assertion drawing on Kirribilli’s naval and industrial history.

What are the sustainability features?

Adopting the client’s expertise, we integrated a world-first installation of Redback Technologies’ Gen II inverter and battery with 3.5kW of Nu-Lok solar roof tiles – the first approved installation for a NSW conservation area.

Materials and finishes were selected for durability, low maintenance requirements, and anticipated longevity with respect to aesthetics and functionality. The solar tiles and battery were calculated to offset energy usage in the short term, moving the dwelling to a future off grid.

How did the project embrace collaborative practices?

Collaborative practices are exemplified by the cantilevering stair and balustrade, its structural and tread design complexities demanding a design and prototyping approach that merged our efforts with the structural engineer, builder, metal fabricator, joiner, glazier and timber board manufacturer.

Similarly, the custom bronze joinery handles capture an integrative interior design approach, linking aesthetic commonalities between existing and new furniture, built-in joinery, artworks, balustrading and integrated custom lighting.

Key products used:

NuLok roofing slates and solar inserts
VM Zinc Anthra Zinc wall and roof cladding
Sandstone
Spotted gum decking and fencing
Mafi floorboards - brushed white oil Oak Vulcano
Glass flooring by Magic Glass Sydney
Polytec ravine, legato and melamine joinery by JP Finsbury
Benchtops by CDK Stone and Caesarstone
Custom handrails, surfaces and joinery handles designed by Bijl Architecture finished in Arcturus oiled bronze by Astor Metal
Ceiling Fans by Big Ass Fans.
External blinds by Vental.
Kitchen mixer Armando Vicario, Kitchen sink Abey Barazza Cudo, Billi water filter and slimline font all supplied by Harvey Norman.
Fantini and Soho bathroomware supplied by Roger Seller. MODA Vanity Basins and freestanding bath supplied by ACS
MILLI Glance bathroom fittings supplied by Reece

Details

Project size 214 m2
Site size 240 m2
Completion date 2017
Building levels 2

Project team

Melonie Bayl-Smith Design Architect
Giles Gibbins Project Team
Andrew Lee Project Architect
Bijl Architecture Architects
Partridge Stormwater Engineering
Cantilever Consulting Engineers Structural Engineering