The Tiing

Architecture Hospitality Tejakula, Bali, Indonesia

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1. Villa Overview

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2. Villa Overview

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3. Villas from entry

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4. Villas from west

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5. Roof of bar restaurant

Space for yoga, music, meeting

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6. Villas from below

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7. Villa front on

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8. Villas oblique

Morning

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9. Between Villas

Valleys

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10. Landscape

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11. Material detail

Bamboo formwork imprints

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12. Between Villas

Framed views

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13. Villa wall

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14. Villa wall internal

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15. Villa Walls

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16. Internal Living

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17. Internal materiality

Bamboo and concrete - material and imprint, positive and negative

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18. The sea

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19. Column in restaurant

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20. Outdoor Bath, Ground Floor

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21. Entry door

Concrete and bamboo

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22. GF, Living

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23. GF Living

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24. GF, Living

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25. GF, outdoor

Plunge pool

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26. 1F, Living

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27. 1F, Shower, Bath and Plunge pool

View to mountains and jungle

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28. 1F, Shower, Bath and Plunge pool

View to mountains and jungle

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29. GF, Bed

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30. GF, Outdoor Living

And Pool

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31. GF, Outdoor Living

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32. GF, Outdoor Living

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33. GF, Outdoor Living

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34. Villa Entry

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35. GF, Outdoor Bathroom

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36. Villa Wall

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37. Bedroom

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38. Concept Diagram

Between the mountains and the sea

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39. Balinees gateway

Inspiration for the shear internal walls - "let the spirit drift"

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40. Materiality

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41. Materiality

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42. Walls

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43. View

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44. Site diagram

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45. Site section

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46. Villa elevation

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47. Villa plan, GF

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48. Villa plan, 1F

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49. Site plan, roof

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Description

Situated on the northern coast of Bali, the Tiing has been designed as a ‘reward for the intrepid’. Understanding that this project would need a point of differentiation to pull people out of the well-worn tourist paths of southern Bali, the Tiing is a boutique resort embedded into its local and cultural context.

Due to its remote location, the design deliberately leans on traditional materials and construction techniques, while providing a robust conceptual framework. Knowing that concrete is the preferred construction method of Bali, and that bamboo is plentiful, a series of bamboo formed concrete walls were erected on site to create in-between and inside conditions, framing the mountains and the sea.

The materiality of this project aims to work within the local context, construction techniques, resources, and climate; a rugged regionalism. Concrete and bamboo are abundant, so it was best to work with these materials throughout. In a tropical climate, a clean finish would require much maintenance, here, the material will weather in, enhancing the character of the architecture and place. Importantly, this also became the finishing. Expressing the texture and form of the bamboo as a negative impression in the patina of the concrete becomes this project’s motif.

At each end, the walls become shear, referencing local Balinese gateways prevalent throughout the island. These gateways are highly decorated totems, shear-cut on the travel path to encourage the eye and the spirit to drift onwards.

Architecturally, these walls act as funnels, giving each room equal and opposing view of the mountain and the ocean, meaning that guests are always situated in the truth of the site. We thought it vitally important to draw attention to this dual condition as part of a locating and grounding travel experience.

Arriving at the Tiing is a process of 2.5hrs traversing winding roads through the lush Balinese landscape. We wanted something that would act as a distinct counterpoint to that all-consuming ‘green-ness’, so we created a red public bathing pool. It is partially hidden to the entry sequence, but acts as an energising arrival moment in high-contrast to the lush green jungle. Further, we paid attention to the height of the site and the way the water bodies of the pool and the ocean would layer against the horizon. Again, the working strategy for this project is ‘a reward for the intrepid’, and the central pool further serves to consolidate this.

Hidden centrally in the plan is the washing space. This is a rare moment of slick finish in an otherwise unadorned project. Each space has a light well, connecting the occupant back to the sky from the darkness of this isolated space. Protected, hidden, and central, this space becomes a welcome surprise, a place of refuge and delight. This is a place for unwinding reconnecting to the self and to nature.

World Architecture Festival Finalist 2019 - Best Hotel

Questions and Answers

What were the key challenges?

Responding to distance, in both the remoteness of the project and the fact that our office is located 6 hours (3hr plane, 3 hr car) away.

Distance became the key conceptual principal and the reason that we looked to local skills, trades, and materials. Hence, bamboo and concrete. We did everything we could with those two elements. Bamboo formed concrete walls create the major architectural gensture. Bamboo becomes the doors, windor shutters, entry pavilion, and the re-used bamboo formwork became a fence, ringing the site.

What was the brief?

A boutique, luxury resort in a remote location.

Who are the clients and what's interesting about them?

The clients were a Chinese American, and a local Balinese hotel designer and proprietor. With us as Australians as the architect, it became a positive, productive, and educational cultural mix.

Details

Project size 2000 m2
Site size 4000 m2
Completion date 2019
Building levels 2

Project team

Nic Brunsdon
Manguning Execution Architect
NIC BRUNSDON Design Lead Architect