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1. William Tozer Associates_ Skeuomorphic House 01 Views of the courtyard garden framed through the asymmetric, rectilinear sculptural elements of the open-plan kitchen-dining space. 3640 px 5616 px 4 MB A3 print |
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2. William Tozer Associates_ Skeuomorphic House 02 Combined with the staggered building footprint and continuity of materials, irregularly positioned and shaped skylights heighten the ambiguity of interior and exterior space. 3542 px 5313 px 3 MB A3 print |
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3. William Tozer Associates_ Skeuomorphic House 03 1866 px 2799 px 800 KB Print - Low res only |
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4. William Tozer Associates_ Skeuomorphic House 04 The main element of the architectural composition is a white building volume incised by open and glazed voids that provide access, views and light. The interior is composed of similarly L-shaped and incised volumes arranged to loosely divide the open-plan space into zones of use. 2377 px 3320 px 405 KB Print - Low res only |
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5. William Tozer Associates_ Skeuomorphic House 05 4244 px 1869 px 276 KB Print - Low res only |
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6. William Tozer Associates_ Skeuomorphic House 06 Devoid of visible detail, the white, timber and concrete cabinetry assumes a sculptural quality reminiscent of Donald Judd’s ‘specific objects’. 3521 px 5060 px 3 MB A3 print |
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7. William Tozer Associates_ Skeuomorphic House 07 3584 px 5376 px 2 MB A3 print |
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8. William Tozer Associates_ Skeuomorphic House 08 Like the interior, the timber, concrete and brick elements of the courtyard garden are composed as an interlocking arrangement of staggered abstract forms. 1416 px 2149 px 520 KB Print - Low res only |
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9. William Tozer Associates_ Skeuomorphic House 09 The bathroom, treated as a satellite component of the main architectural composition, is composed of incised and interlocking elements in mirror, sand-blasted glass, and white finishes. 1863 px 2907 px 579 KB Print - Low res only |
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10. William Tozer Associates_ Skeuomorphic House 10 1913 px 2877 px 615 KB Print - Low res only |
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11. William Tozer Associates_ Skeuomorphic House 11 From the courtyard, the various elements of the interior can be viewed through the glazed and open voids in the white sculptural volume of the building envelope. 2000 px 1200 px 754 KB Print - Low res only |
A completed project in Chiswick, London by WILLIAM TOZER Associates
The palette of polished concrete, timber veneer, white paint, and flood lamps recalls the construction process of the project—rarefied versions of the structural slab, plywood carcasses, undercoat, and temporary lighting of a building site. Custom-built cabinets are detailed to conceal fixtures and fittings, backgrounding their function to allow them to be read as sculptural objects. A blade wall to the rear building envelope is finished in the same timber veneer and detailed so as to appear as part of this aesthetic arrangement of forms. The staggering of the two white-rendered building elements is echoed by the smaller white and timber elements of the interior, which likewise overlap and slip past one another. Timber-slatted, concrete, and brick volumes in the courtyard are similarly composed and arranged. The articulation of the skylights references the work of the mid-twentieth Italian architect Carlo Scarpa, and his Canova Museum building.
Project size | 118 m2 |
Completion date | 2015 |
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WILLIAM TOZER Associates | Architect |