Mill Film Studio

Architecture Commercial Adelaide, South Australia, Australia

Media Contact

17 Images

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1. Entry

View from interconnecting stair to Level 7 waiting area

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2. Entry

Entry statement / waiting area

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3. Internal Stair

Feature internal stair, connecting the three-levels

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4. Corridor

Connecting the minimal artist areas and vibrant social areas

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5. Gender Neutral Bathrooms

A different palette for each of the three floors

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6. Gender Neutral Bathrooms

A different palette for each of the three floors

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7. Gender Neutral Bathrooms

A different palette for each of the three floors

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8. Artist Areas

Monochromatic artist areas working as a passive backdrop to on screen activities

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9. Screening Room

40-seat theatre with 4K projection

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10. Cafe

The Level 7 cafe is one of the vibrant social spaces within the studio, providing a colourful contrast to the workzones

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11. Level 7 Floor Plan

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12. Level 8 Floor Plan

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13. Level 9 Floor Plan

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14. Hand Sketches

Entry statement, internal stair and view rooms

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15. Hand Sketch

Cafe Area

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16. Hand Sketch

Production Room

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17. Hand Sketch

Corridor detailing

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Description

Studio Nine has designed the first Australian studio for global visual effects production company Mill Film. The highly considered studio has been created through the translation of the VFX process using two key design principles ‘modelling and performance’ and ‘light, colour and texture’.

Modelling and performance drove a strict planning structure responding to a clearly articulated workflow. The spatial response to the layout catered both to the client requirements of open vs closed spaces as well as working with the challenging octagonal floor plate of the building. Working, reviewing and socialising spaces were carefully placed to be seamlessly linked while always maintaining appropriate levels of separation.

Light, colour and texture profiles were created for each space type. Monochromatic artist areas work as a passive backdrop to on screen activities, as minimal distractions and visual interference are critical in these areas. The artist areas flow into warm and natural reviewing rooms where colour and material selections were key to providing spaces to review work on screen. Buffered from the artist spaces, the vibrant social spaces provide a colourful contrast to the work zones to socialise, relax and celebrate. Each space hosts a common thread of base materials tying them all together.

The industrial aesthetic was developed to maintain a consistency in built form within the global network of Mill Film studios, while rich Australian timbers and a colour palette of rusts and deep reds introduced a local context.

The project included extensive base building remodelling to meet the operational needs of the work force. Future proofing through a modular and systemised approach allows the team sizes to expand and contract depending on the pressures of their delivery timelines. Multiple production and specialist teams are accommodated across three connected flexible floor plates linked via an internal stair and void. Extensive audio visual equipment was also integrated into a variety of meeting and screening rooms to meet international standards across the organisation.

Building an edgy and industrial experience drove an outcome that celebrated the existing base building elements. Exposed floor and ceiling slabs were simply painted to express the bare bones, while reducing materials and focusing on longevity were the main sustainability targets. The introduction of the interconnecting stair and exposed services were a critical and complex piece of the puzzle, requiring a close and communicative design team to coordinate structure with services and architectural elements – catering to the functional design brief, as well as future proofing for potential growth in connecting to other levels in the future.

The 4,300sqm workplace was designed to cater for 500 people. With five employees when the project started on site, the space was at full capacity within six months of handover. The project has injected a new lease of life into the previously under tenanted CBD building which overlooks the city and Adelaide Oval, and has attracted national and international talent to Adelaide.

Questions and Answers

What was the brief?

To create a dynamic workplace that is visually tuned to the working DNA of Mill Film’s brand, operations and people.

Who are the clients and what's interesting about them?

Technicolor’s Mill Film is a theatrical and film production company, providing visual effects and colour for major studios and streaming services. The studio’s first major motion picture project was Paramount’s ‘Dora and The Lost City of Gold’ and has also worked on films for Universal and Amblin.

With multiple studios across the world, the new Adelaide studio became the first in the Southern Hemisphere.

The decision to locate the studio in South Australia followed a $6 million grant from the State Government’s Economic Investment Fund, which expects the project to have an economic benefit of more than $250 million over a decade. The State Government also offered a number of rebates for post-production, digital and visual effects work, designed to attract international film business to the state.

The design, development and delivery of Mill Film was a truly global project, including contributions from team members in Los Angeles, Singapore, Vancouver, Montreal, Hong Kong, Brisbane and Adelaide. Collaboration included regular virtual connections through the majority of the process with fly-in face to face sessions at critical points.

A remote client required a regimented delivery plan with clear lines of communication. Weekly video conferences required reference material to be well planned, highly considered and clearly presented to the client based in Vancouver.

Having a client base who were extremely capable of understanding loose sketches, diagrams and design direction negated the need for 3D visualisation beyond hand sketches. This was an interesting twist when working for a business specialising in this realm. In a time where computer generated visuals are common place and expected it was refreshing for the team to turn innovation on its head using hand sketches to present ideas. (Sketches included in Press Kit)

Key products used:

La Marzocco custom coloured coffee machine

Catifa 46 Sled Base Café Chairs by Arper, supplied by Stylecraft

O-Bar Wine Red Cafe Stool by Kin Design, supplied by Café Culture & Insitu

PBS Café Table by Koskela

Steren Round Café Table by Koskela

Quadrant Soft 2 Seat Armless Lounge by Koskela

Truss Lounge Chair by Gus Modern, supplied by Globe West / Terrace Floors & Furnishings

CT800 Coffee Table by Max Hunt

Eric 2.5 Seat Sofa by Design Furniture

Custom Screening Room Sofa by Design Furniture

Spark Meeting Room Chair by Knoll, supplied by DeDeCe

Okidoki Folding & Round Meeting Table by Thinking Works, supplied by Aura Objects

Tretford Round Area Rug in Dapple Grey by Gibbon Group

Hood Pendant in Light Grey by Atelje Lyktan, supplied by Café Culture & Insitu

Details

Project size 4300 m2
Site size 4300 m2
Project Budget USD 9,000,000
Completion date 2019
Building levels 3

Project team

Jaana Bithell Interior Designer
Keith Dougal Interior Designer
Justin Cucchiarelli Project Director
Studio Nine Architects Architect / Interior Designer